Traditional sketches are often appreciated more than digital ones. They seem more lively, more "real", and they take some kind of "soul". However, if you want to present your pencil art to a wider audience using the same medium as digital art—the Internet—you stumble upon i bully trouble. Any tool you employ to catechumen traditional art into digital course volition have some influence (commonly negative) on its quality.
Adobe Photoshop comes to your aid! If you lot think that doing anything to a scan/photo is cheating, let me reassure you lot—whether yous want it or not, the conversion itself changes your original picture. You lot tin can only leave information technology equally (bad) every bit it is, or exercise something to bring it back to its traditional celebrity.
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Let's run into how!
Digitize Your Traditional Fine art
I've created my moving picture using iii tutorials:
- How to Describe Animals: Horses, Their Beefcake and Poses—horse anatomy
- Taking Flying: A Beginner'south Guide Into Drawing Wings—fly beefcake
- Create a Flight Animation From Scratch in Adobe Photoshop—wing poses
A scanner is the best tool you lot can use here. It will give you "zero perspective", which takes away at least 1 trouble. Withal, if y'all don't have one, utilise a photographic camera. The bigger the resolution, the easier it'll be to achieve a sharp moving-picture show. Both ways will give you lot a digital file with the content looking naught similar your sketch.
1. How to Fix the Perspective
The bigger the picture, the harder it is to take a pic of information technology without any lens distortion. Permit'south see how to ready even the most extreme case of it.
Step 1
Identify your file into Photoshop. Utilize the Crop Tool (C), agree Alt and Shift, and drag the borders away a bit to make the canvas bigger. This style nosotros'll become more than infinite for the transformations without scaling the picture downward.
Pace 2
Right click the layer and Convert to Smart Object. It'll let you transform the image multiple times without losing quality. Go to Filter > Lens Correction and switch to theCustom tab.
Here you can play with the Transform sliders to remove the baloney acquired by the camera.
Stride three
The previous method has its flaws, then we need to add together one more correction. In my instance, the picture turned out also "squished" vertically. If that'south as well your case, right click the layer, Rasterize information technology, and then use the Complimentary Transform Tool (Control-T) to stretch it to the proper proportions.
2. How to Remove the Colors
In many cases your blackness-and-white sketch will be turned into a mass of random colors, usually because of incorrect white residual. Let's fix it with ane simple step.
Open theWindow > Adjustments console. Select Black & White.
Information technology'southward done!
three. How to Remove the Messy Background
Smudges, dirt, uneven lighting—the background of your sketch is something you'd gladly say bye to. Allow'south do it!
Step i
Add the Layer Mask to the sketch. Make sure your groundwork layer is white, and if not, add it.
Step 2
Click the white rectangle next to your sketch's thumbnail. Utilise the Soft Round brush to pigment roughly the area around the character. Remember: black removes, white brings back.
Step iii
Make the stroke smaller and piece of work precisely on the edges, switching between black and white to get the right event. The background is gone!
4. How to Prepare the Contrast
Dissimilarity is usually the one and just thing an creative person changes before posting a scanned artwork. However, it'south a far more complicated issue than information technology seems, and playing with the Dissimilarity slider only may bring more harm than good. I'll show you lot how to manage it properly.
Footstep ane
Add the Levels adjustment.
Step 2
This panel shows you the histogram—a distribution of blacks and whites in the picture. A perfect histogram looks like a mountain with gentle slopes, just "perfect" doesn't hateful the most desirable. The shorter (horizontally) the histogram, the higher the contrast. Drag the right slider to the left to turn light grays into white, and the left slider to the correct to brand dark grays black.
There's a trap hither waiting for you. It may exist very tempting to give rich blacks to your image, merely have a look at your traditional sketch. Does it have rich, difficult-edged blacks? If non, changing the histogram to get them will deprive the picture of subtle changes of grays. Remember: y'all want to brand the digital sketch expect as adept as the original—non "improve"!
Pace 3
Sometimes, because of uneven lighting or smudges, some parts of the picture are darker than the rest. We need to option them and change their histogram individually.
Apply the Quick Mask Tool (Q) and pigment over the area you want to change.
Printing Q once again to get back into normal mode and invert (Control-Shift-I) the selection. Then add the Levels adjustment once over again—information technology will exist applied to the pick only. Play with the sliders until the element matches the contrast of the residuum.
You tin use the same contrast to other parts but by clicking the mask (the rectangle next to the layer'southward thumbnail) and painting with white over them.
Step 4
The problem with the Levels editor is that it changes the shades evenly. At that place'south a big gamble your scanner/camera lost the finest nighttime shades, and they're very important for the final "feel" of the picture. You can't bring them dorsum with the histogram, simply there'due south another tool—the Curves editor.
This editor is a very powerful one. In fact, y'all could adjust the Levels here! Let'due south come across what it is about.
Past default, the lower left corner represents the darkest areas of the motion-picture show, and the upper right corner represents the brightest ones. By adding a signal on the line and dragging it down y'all brand the area information technology represents darker; by dragging it upwards, you make it brighter.
If y'all desire to brand the fine dark details darker, add together a indicate nearly the "black" end and drag it down. The line is actually a curve, so you'll need to straighten (rest) it with other points. Feel costless to play with it to go the issue you want!
If you do information technology properly, only the finest details will go darker—not all the grays.
5. How to Crop the Moving picture
This is the most intuitive role, merely allow's talk virtually it anyway.
When drawing traditionally, you lot are forced to piece of work on the dimensions of the sheet of paper. Digitally, you are free to use any. When using the Crop Tool (C), pay attention to the "rule of thirds" grid and brand it work for you.
6. How to Give It a Traditional Feel
In that location'south one aspect of traditional-digital sketches that'due south mostly ignored. Paper has a texture—that'southward why your strokes aren't smooth lines, they're always a scrap ragged. Your digital background, on the other manus, is perfectly smooth. It doesn't justify the ragged lines, making them look simply unclean instead of stylish.
Photoshop has a solution for this, too! Start, correct click any of the layers and select Flatten Image. And so go to Filter > Filter Gallery. Expand theTexture listing and select Texturizer. Use the Sandstone texture with a subtle Relief and a proper Scaling.
Now the subtle texture in the background optically justifies the textured strokes. It's not simply a fancy reminder that you lot've created it traditionally—it'southward really a must, if you desire to make it look as it did before digitalizing!
7. How to Prepare It for View
Concluding just not least, the huge file you've probably got afterwards digitizing the sketch isn't what you're supposed to bear witness to others. In that location'due south really no demand to present all the 1 mm strokes in a class of twenty px! You don't wait at the sketch by sticking your centre to the paper, so don't strength others to exercise it.
The other reward of scaling the sketch down is that the smaller the pic, the more detailed it looks (considering of small gaps betwixt the lines). Also, if your digital original was a chip blurry, scaling information technology downwards may help may reduce this result.
To scale the picture show downward, simply go to Image > Image Size and type a width that is more advisable. All the pictures in this tutorial are 600 px wide; 700-800 px wide may be a better selection for an artwork (depending on how detailed it is). Also, choose Bilinear for the resample method. Scaling (even down!) is never completely lossless, but choosing a proper method may prevent you from losing likewise much.
If the picture is scaled and still looks a fleck blurry, go to Filter > Acuminate > Smart Sharpen. Play with the sliders to get a subtle sharpening. This filter is normally pretty useless when it comes to detailed, colored pieces, but it works miracles with pencil sketches!
There is no need to save the movie in the aforementioned format every bit your "digitizer" tool. Go to File > Save for Spider web to choose the best settings for your image. Most of the time you lot don't need to care nigh the size—just make certain the quality stays intact!
We're Done!
You tin can now proudly present your art online! Maybe these tricks weren't equally unproblematic as sliding the contrast upward, but the consequence is incomparably more attractive.
Do you know other tricks you tin utilize to make your traditional sketches look better in digital form? Write a comment—you may help others!
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Posted by: christophermoreats.blogspot.com
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